Oxford University Press | The Oxford Handbook Of Music Psychology, 2nd Edition (2016 EN)

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    Author: Susan Hallam (Editor), Ian Cross (Editor), Michael Thaut (Editor)
    Full Title: The Oxford Handbook Of Music Psychology, 2nd Edition
    Publisher: Oxford University Press; 2 edition (14 Jan. 2016)
    Year: 2016
    ISBN-13: 9780198722946 (978-0-19-872294-6)
    ISBN-10: 019872294X
    Pages: 976
    Language: English
    Genre: Music Psychology
    File type: PDF (True, but nonnative Cover)
    Quality: 9/10
    Price: £95.00


    The 2nd edition of the Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area.

    The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future.

    The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.
    ▼ A new and updated edition of a landmark text in the field of music psychology, providing a broad overview of this rapidly growing field of research
    ▼ Includes a range of international experts in this field - both as section editors and chapter authors, resulting in a volume which presents the best work currently being done in the field
    ▼ No equivalent volume exists in the field of music psychology, making this a 'must-have' book for those seeking the broadest possible overview of the field

    New to this Edition:
    ▼ Includes three additional chapters. All other chapters have been revised and updated

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